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Jean Auguste Dominique Ingres Achilles Receives the Envoys of Agamemnon (mk04) oil painting


Achilles Receives the Envoys of Agamemnon (mk04)
Painting ID::  20387
Jean Auguste Dominique Ingres
Achilles Receives the Envoys of Agamemnon (mk04)
1801 Oil on canvas, 110x155cm Ecole des Beaux-Arts,Paris

   
   
     

Jean Auguste Dominique Ingres Portrait of Jean-Franqcois Gilibert (mk04) oil painting


Portrait of Jean-Franqcois Gilibert (mk04)
Painting ID::  20390
Jean Auguste Dominique Ingres
Portrait of Jean-Franqcois Gilibert (mk04)
C.1805 Oil on canvas, 99X81cm Musee Ingres Montauban

   
   
     

Jean Auguste Dominique Ingres Napoleon Bonaparte in the Uniform of the First Consul (mk04) oil painting


Napoleon Bonaparte in the Uniform of the First Consul (mk04)
Painting ID::  20392
Jean Auguste Dominique Ingres
Napoleon Bonaparte in the Uniform of the First Consul (mk04)
1804 Oil on canvas, 227x147cm Musee d'Armes,Liege

   
   
     

Jean Auguste Dominique Ingres Self-portrait at the Easel (mk04) oil painting


Self-portrait at the Easel (mk04)
Painting ID::  20396
Jean Auguste Dominique Ingres
Self-portrait at the Easel (mk04)
1804 Oil on canvas, 77x61cm Musee Conde, Chantilly

   
   
     

Jean Auguste Dominique Ingres Charles X Bestwing Honors on the Artists of the Salon of 1824,1827 (mk04) oil painting


Charles X Bestwing Honors on the Artists of the Salon of 1824,1827 (mk04)
Painting ID::  20398
Jean Auguste Dominique Ingres
Charles X Bestwing Honors on the Artists of the Salon of 1824,1827 (mk04)
Oil on canvas, 176x256cm Musee du Louvre, Paris

   
   
     

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     Jean Auguste Dominique Ingres
     J. A. D. Ingres (1780-1867) was born in Montauban on August 29, 1780, the son of an unsuccessful sculptor and painter. French painter. He was the last grand champion of the French classical tradition of history painting. He was traditionally presented as the opposing force to Delacroix in the early 19th-century confrontation of Neo-classicism and Romanticism, but subsequent assessment has shown the degree to which Ingres, like Neo-classicism, is a manifestation of the Romantic spirit permeating the age. The chronology of Ingres's work is complicated by his obsessive perfectionism, which resulted in multiple versions of a subject and revisions of the original. For this reason, all works cited in this article are identified by catalogue.

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     | Henri-Edmond Cross | Charles west cope RA | Pietro da Cortona |


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